Composers: Demos aren’t good enough anymore

How do great composers quickly make great sounding demos of their writing? How could you sell yourself and your ideas better with your demos? Guerrilla Film Scoring has the answers from Hollywood’s top composers for film, television, and video games.

Teaser for part 6 of 9

<  Back to Documentary Overview

Love it? Share it.

Nobody wants surprises in the production process, and nobody needs to tolerate them any more either. We live in a high fidelity world where great production value is easily available. That raises the bar and turns the possibility into an obligation. The days of mediocre MIDI mockups are long gone. It requires exactly the same effort to play an idea on a dated virtual instrument as it does to use a state of the art one, so there can be no excuses. There is very little place left in the scoring industry for things that sound like sketches.

Leave a Reply

Your email address will not be published. Required fields are marked *